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The image formation of Chinese paintings follows their own system of perspective methods. By analyzing the Chinese painting named “江山秋色圖卷” was created at end of Sung period, and its narrative, I have studied the projective geometry of the painting and its objects transforming it into plan view. Thus, I have created a methodology to assess the construction of the painting and to give the right dimension. Through the manipulation of their boundaries in plan view as well as transforming it back into the Chinese painting frame of reference creating different compositions resulting in a change of narrative.
Hong Kong, Hong Kong SAR China
Yam Wing Fong,