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The starting point was a moralistic view of the artifical industrial production of food in today‘s world. Being used to buy our food in packed containers, the origins of food are not any more visibly connected.
To get a closer connection to the origins of food, I created ceramic tableware with real animal segments.In these a new quality of aesthetics and decisiveness is generated, while an echo of the initial question is still visible.
Cornelia Hahn
Münster, Germany