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For movements of body parts we assume a certain degree of repeatability. Nevertheless, describing a movement in a performing context can only be compared with a rough approximation. In my work I have developed a transdisciplinary notation which I refined in ten workshops and experiments with musicians, dancers and actors. The result is an exploration of modern notation that questions the "unchangeable" artwork and is open for a contemporary transdisciplinarity.
With the new transdisciplinary notation interpreters are not only executing participants but are actively involved as creative performers.